Best car I ever bought

Pile of stinky poop, money pit, don't buy one for more than $1500.

The best vehicle both on and off road

Overall great, but needs a lot of electrical help

Beautiful Death @ 120+ mph

All go, no show - I'd have another

Best car all around I ever had (than even the previous two caddies, a 1985 and a 1990!

Awesome

The easily recognisable Wallace & Gromit humour could almost be trademarked. There's something about the expressions, the oversized teeth and hands that make their screen appearances constantly amusing. There are very few dud lines here, and the feature moves along

Following the passage of one such ship, we learn of the trials of such a journey, and the risks of manipulation and corruption of the process. What would make someone agree to such a thing? Brides is a story from

Although they do seem to respect Ben - thankfully they don't take the easiest route, which would be to ridicule him for his lifestyle - they aren't able to truly show that although his passion for the Sox is subverting

Much of what was set up as humour was dreadfully flat, and the remainder, presumably intended not to amuse, was hilariously bad. Embarassingly bad is perhaps more apt - there were several moments of intense discomfort as I endured the

could be accused of heavy handedness. But this is a powerful story told in broad brushstrokes, not subtle detailing. Actions speak the loudest here, often literally, with the burst of gunfire or the crunch of bones.

Howl's Moving Castle has a wondrous beginning. Not only does it feature a heroine who works by day as a milliner (an underrepresented field in feature film narrative), but the world is fleshed out beautifully with stunning settings and marvellously

The plot is pathetic. The acting is poor. The special effects are deplorable. The action may be okay, but it's impossible to see what's going on most of the time. How on earth can Luc Besson and Louis Leterrier have

Unfortunately, the laughs are so far spread between drawn out set-ups and boring characterisations (Paul Rudd's David is a primitive, underdeveloped one-trick), that I spent much of my time wondering if I could get any more bored.

Both seem to find the dating scene so difficult at their age - they chafe against expectations, wishing their soulmate would appear without them having to work too hard to find them, and mostly fearing they never will. These hopes